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Who Owns an AI-Generated Film? What Thaler v. Perlmutter Means for Filmmakers

On March 2, 2026, the United States Supreme Court declined to hear Thaler v. Perlmutter. With that decision, or more precisely, with that refusal to decide, the legal question at the center of the AI and copyright debate was left exactly where the lower courts had placed it. AI cannot be an author under United States…

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what first-time screenwriters can negotiate

What First-Time Screenwriters Can Actually Negotiate Before They Sign

Most first-time screenwriters do one of two things when someone offers to option or buy their screenplay. They sign immediately because they’re afraid the offer will disappear. Or they ask for things they’ve heard about, like final cut, casting approval, director approval, that nobody is going to give a first-time writer, and the conversation goes…

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Ryan Coogler Didn’t Just Make Sinners. He Owned It. Here’s How.

Three contract provisions every filmmaker should understand before they sign anything. Ryan Coogler has directed five films. Combined, they have grossed $2.4 billion at the box office. Every dollar from the first four went to a studio. Then he made Sinners β€” a film about twin brothers in 1930s Mississippi fighting to own something in…

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music license for indie filmmakers

Why You Need a Music License & Release for Your Film

(Even If the Composer Is Your Friend) You finally lock picture. The edit works. The emotion lands.And then someone asks the question most indie filmmakers don’t want to hear: β€œDo you have the music rights cleared?” If the answer is β€œthe composer said it was fine,” or β€œit’s my friend’s song,” or β€œwe’re just using…

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Understanding the difference between Deal Memos, Short Form and Long Form Agreements as it pertains to filmmaking.

Deal Memo vs Short Form vs Long-Form Actor Agreement

If you’ve worked on a student or indie film, you’ve probably heard the terms deal memo, short-form agreement, and long-form actor agreement used interchangeably. On many sets, they’re treated as the same thing. Legally, they are notβ€”and misunderstanding the difference is one of the most common paperwork mistakes independent filmmakers make. The confusion usually doesn’t…

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Why don't agents respond?

The Catch-22 of Casting a Star: Why You Can’t Get the Actor Without the Money (and Can’t Get the Money Without the Actor)

Every filmmaker has heard it: β€œWe just need a name attached.” But what most first-time producers don’t realize is that getting that nameβ€”that recognizable actor who could make your film instantly marketableβ€”isn’t just about having a script or even funding. It’s about access, leverage, and perception. Let’s be honest: you can have a fantastic screenplay,…

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Creator saying no during a contract negotiation

β€œNo” Is a Sentence: What the Olsen Twins Can Teach Creators About Contract Boundaries

Mary-Kate and Ashley Olsen built a billion-dollar fashion empire not by saying β€œyes” to everythingβ€”but by protecting their time, value, and boundaries. As they’ve famously put it: β€œNo is a sentence.” That lesson isn’t just for Hollywood twins. It’s for every creator, filmmaker, and entrepreneur who’s ever been asked to β€œjust do one more thing”…

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Artist negotiating master ownership

Own Your Masters: What Taylor Swift’s Fight Teaches Indie Musicians

When Taylor Swift re-recorded her first six albums, the world gasped. But for indie musicians, the lesson was clear: ownership matters. Imagine spending years on your music, only to find out someone else controls it. That was Swift’s reality when her master recordings were sold without her input. Instead of accepting it, she fought back…

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Filmmaker automating contract using Thoolie

How Indie Filmmakers Can Streamline Contracts Like Netflix

Netflix, Disney+, and Amazon Prime aren’t just reshaping how we watch movies β€” they’re reshaping how the industry handles contracts. These streaming giants move fast, rely on automation, and don’t waste time chasing signatures. Here’s the good news: indie filmmakers can use the same playbook. You don’t need a studio-sized legal team to keep your…

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Protecting Your Intellectual Property Like Marvel

How Marvel Protects Its Intellectual Property (and What Indie Creators Can Learn)

Superheroes aren’t just charactersβ€”they’re empires. What began as comic books is now a multi-billion-dollar Marvel Cinematic Universe, with Iron Man, Spider-Man, and Black Panther dominating screens and shelves worldwide. Marvel didn’t get there by accident. Their real superpower? Protecting their intellectual property (IP). And here’s the best part: indie creators may not have Disney’s budget,…

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Learning Lessons from Marvel and Star Wars

Contract Horror Stories (and How Indie Filmmakers Can Avoid Them)

You’ve written the script. You’ve got the cast. Production is rolling. Thenβ€”bam. A contract dispute threatens to derail everything. For indie filmmakers, this isn’t just a nightmare scenario. It happens more often than you’d think. And the scariest part? It’s usually avoidable. From George Lucas protecting Star Wars merch rights to Marvel’s licensing missteps, Hollywood…

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Entertainment Merchandising Rights; Business of Merch

Entertainment Merchandising Rights: What Indie Creators Can Learn from Star Wars, Marvel, and Taylor Swift

When you buy a Star Wars lightsaber, a Marvel superhero figurine, or a Taylor Swift tour hoodie, you’re not just buying stuff β€” you’re buying into a universe. That’s the power of entertainment merchandising rights. They turn films, characters, and music into multi-billion-dollar businesses. For creators, that means one thing: contracts around merchandising matter. George…

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