Insight
What the Call of Duty Movie Deal Teaches Independent Filmmakers About Option Agreements
Call of Duty has sold more than five hundred million copies. It has generated over thirty billion dollars in revenue. It is, by any measure, one of the most valuable pieces of entertainment intellectual property in existence. Activision first announced plans for a Call of Duty cinematic universe in 2015. It took nearly a decade…
Insight
Who Owns an AI-Generated Film? What Thaler v. Perlmutter Means for Filmmakers
On March 2, 2026, the United States Supreme Court declined to hear Thaler v. Perlmutter. With that decision, or more precisely, with that refusal to decide, the legal question at the center of the AI and copyright debate was left exactly where the lower courts had placed it. AI cannot be an author under United States…
Legal Guide
Creative Control Provisions
The Complete Reference Guide for Writers, Directors, Producers, and Actors Every film deal contains provisions that determine how much creative influence a participant has over the finished film. These provisions go by many names, such as creative control, approval rights, meaningful consultation, and final cut. They appear in writer agreements, director agreements, producer agreements, and…
Educational Article
Backend Deal Structures for Indie Films
What Every Filmmaker, Producer, Writer, Director, and Actor Needs to Understand Before Negotiating Backend Participation Everyone in the film industry has heard the word backend. Actors negotiate it. Writers ask for it. Producers promise it. Investors expect it. And almost nobody on any side of the table fully understands what they are actually agreeing to,…
Educational Article
AI Films, Copyright, and Chain of Title: What Distributors Will Ask That Nobody Is Talking About
Two AI films just premiered at major festivals. One may have a copyright problem that changes everything about how it gets distributed. Two AI films just premiered at major international film festivals. One at Cannes. One at Tribeca. Both are looking for distribution. And one of them may have a legal problem that filmmakers have…
Checklist
Indie Film Distribution Checklist
What Every Independent Filmmaker Needs to Know Before Signing a Distribution Agreement A distribution agreement is one of the most consequential documents a filmmaker will ever sign. It determines who controls your film, how long they control it, what territories they can exploit, how revenue flows back to you, and whether you will ever get…
Legal Guide
Streaming Rights for Indie Filmmakers
How Streaming Distribution Actually Works, What’s in the Agreement, and What You Can Negotiate A streaming deal sounds straightforward. A platform licenses your film, pays you a fee, and audiences watch it. But the agreement that governs that transaction is significantly more complex than that summary suggests, and the gap between what filmmakers expect and…
Insight
Ryan Coogler Didn’t Just Make Sinners. He Owned It. Here’s How.
Three contract provisions every filmmaker should understand before they sign anything. Ryan Coogler has directed five films. Combined, they have grossed $2.4 billion at the box office. Every dollar from the first four went to a studio. Then he made Sinners — a film about twin brothers in 1930s Mississippi fighting to own something in…
Legal Guide
Errors and Omissions Insurance Film: The Complete Guide for Indie Filmmakers
If you want your film to be distributed — through a streaming platform, a theatrical deal, a TV license, or any other commercial channel — you are going to need Errors and Omissions insurance. Not eventually. Before the deal closes. E&O insurance is the one document that stands between your finished film and distribution. Distributors…
Educational Article
What Christopher Nolan’s Location Problem Teaches Indie Filmmakers About Location Agreements
Christopher Nolan filmed part of The Odyssey in an occupied territory. And there’s a production legal problem here that nobody’s talking about. In the summer of 2025, Nolan’s production spent four days filming near Dakhla — a coastal city in Western Sahara that has been under Moroccan occupation for fifty years and is designated by…
Educational Article
Who Owns the Backrooms? What the A24 Film Teaches Filmmakers About Copyright & Creative Ownership
Backrooms made $81 million in its opening weekend — and immediately raised one question: who owns the Backrooms copyright? A24’s biggest opening ever. Kane Parsons — 20 years old — became the youngest director to top the global box office. It’s the right question. And the answer is more legally fascinating than most people realize.…
Educational Article
How Film Distribution Rights Work for Indie Filmmakers
About this guide This resource covers how film distribution rights actually work — including the parts most filmmakers only learn about after a deal goes wrong. Every fact, case study, and real-world example has been verified for accuracy. This is not a general overview. It is a working reference for filmmakers preparing for distribution conversations.…
